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January 7th, 2017

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09:19 pm - Лев Толстой - суперзвезда Бродвея
Даю ссылку на другой пост в ЖЖ:

"Мир без Войны, или Лев Толстой - суперзвезда Бродвея,
главный русский роман глазами американца... "

...Новая тема для сетевой полемики -- бродвейский мюзикл "Война и мир",
где Пьера представляет ражий мужик в бороде, похожий на Артемия Татьяновича
и к тому же играющий на аккордеоне, а Наташу -- довольно милая негритянка...


(12 comments | Leave a comment)


[User Picture]
Date:January 8th, 2017 07:47 am (UTC)
[User Picture]
Date:January 8th, 2017 07:51 am (UTC)
Ага, уже отражали -- ну, я значит поздно проснулся

Однако мой перепост - ради оригинальной статьи
в журнале gala_gala15

Её стоит почитать

-----------с сайта мюзикла--------------
Natasha, Pierre & THE GREAT COMET of 1812 stars multi-platinum recording artist Josh Groban in his Broadway debut. Inspired by a 70-page slice of War and Peace, this "vibrant, thrillingly imagined new musical" (The New York Times) is "stunning and blazingly original" (Entertainment Weekly) and brings us just inches from Tolstoy’s brash young lovers as they light up Moscow in a “heaven-sent fireball" (The New York Times) of romance and passion.

NATASHA IS YOUNG, ANATOLE IS HOT, AND ANDREY ISN'T HERE… BUT WHAT ABOUT PIERRE? Natasha is a beautiful ingénue visiting Moscow while she waits for her beloved fiancé Andrey to return from the war. In a moment of indiscretion, she is seduced by the dashing (but already married) Anatole and her position in society is ruined. Her only hope lies with Pierre (Groban), the lonely outsider whose love and compassion for Natasha may be the key to her redemption… and to the renewal of his own soul.

"One of the decade's best musicals" (Time Out New York), THE GREAT COMET has "rousing music and ravishing performances" (Daily News) with a groundbreaking score that mixes rock, pop, soul, folk and electronic dance music with classic Broadway. THE GREAT COMET arrives fresh off its sold-out run in Boston and its critically acclaimed Off-Broadway premiere. Its renowned creative team has reimagined the Imperial Theatre as an opulent Russian salon, where every seat provides a unique perspective and an unforgettable experience which is “thrilling, a feast for the senses" (Associated Press) and
"inventive, ravishing and full-on romantic" (New York Post).
Moscow, 1812, just before Napoleon’s invasion of Russia and the burning of the city. As the story begins (“Prologue”) we meet “Pierre,” a wealthy aristocrat having an existential crisis, living a slothful life of wine, philosophy, and inaction.

Meanwhile, the young, newly engaged Natasha Rostova and her cousin Sonya arrive in “Moscow” to stay the winter with Marya D., Natasha’s godmother, while Natasha waits for her fiancé, Andrey, to return from the war. Marya D. tells Natasha that she must visit her future in-laws, the demented, miserly old Prince Bolkonsky and his spinster daughter Mary (“The Private and Intimate Life of the House”), to win their affection and secure the marriage, which is critical to the Rostovs’ status and fortune. However, Natasha’s visit ends in disaster (“Natasha & Bolkonskys”), and she leaves missing Andrey more than ever (“No One Else”).

Edited at 2017-01-08 07:51 am (UTC)
[User Picture]
Date:January 8th, 2017 08:09 am (UTC)
OK, спс.

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